Taryn Simon: The Color of a Flea’s Eye: The Picture Collection
Edited with text by Taryn Simon. Text contributions by Joshua Chuang and Tim Griffin.
Taryn Simon’s The Color of a Flea’s Eye presents a history of the New York Public Library’s Picture Collection―a legendary trove of more than one million prints, photographs, postcards, posters and images from disused books and periodicals.
In her work Simon highlighted the impulse to organize visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon’s photographs is made up of an array of images selected from a given subject folder, such as Chiaroscuro, Handshaking, Haircombing, Express Highways, Financial Panics, Israel, and Beards and Mustaches. In artfully overlapped compositions, only slices of the individual images are visible, each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue, at the same time that history―its classifications, its contents―seems the stuff of projection.
Cahiers D’Art
Hardcover | 11.3 x 15.4” | 460 pgs
Edited with text by Taryn Simon. Text contributions by Joshua Chuang and Tim Griffin.
Taryn Simon’s The Color of a Flea’s Eye presents a history of the New York Public Library’s Picture Collection―a legendary trove of more than one million prints, photographs, postcards, posters and images from disused books and periodicals.
In her work Simon highlighted the impulse to organize visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon’s photographs is made up of an array of images selected from a given subject folder, such as Chiaroscuro, Handshaking, Haircombing, Express Highways, Financial Panics, Israel, and Beards and Mustaches. In artfully overlapped compositions, only slices of the individual images are visible, each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue, at the same time that history―its classifications, its contents―seems the stuff of projection.
Cahiers D’Art
Hardcover | 11.3 x 15.4” | 460 pgs
